Staunton, VA - A neglected or ignored blog is a terrible thing. It calls out to you, a little whining voice in the back of your head, saying, "Write in me! Write in me!" I have heard the voice over the past few days, but admit that, at the moment, I have not the power.
So quickly: I went home for Thanksgiving, a drive back through the night, which included a 90-minute wait on I-79 between Pittsburgh and Erie so as to clear out a multi-car accident caused, apparently, by a black ice spinout. I couldn't make it all the way home, so I grabbed 4 hours' sleep in Grove City PA and drove straight to Jamestown NY for my Wed. morning MRI (which, by the way, showed all clear). The I drove home and tried to stay up most of the day checking on the weather. Jenna was driving home so I wanted to make sure she had a sense of the weather conditions for her drive. Thursday was, of course, spent with traditional Thanksgiving activities, and all the kids were home. Friday we sort of relaxed most of the day and went to see Harry Potter and the Goblet of Fire in the afternoon (I'm sort of "Pottered out" at this point) with chili for dinner. I left on Saturday soon after Jenna left, taking Brian with her to Syracuse so he could visit his girlfriend, then into rehearsal for Christmas Carol Sunday afternoon.
Rehearsal has been furious, hard, stressful and exhausting. I'm a little tense, depressed at coming to grips with my declining memorization skills, and wound up as well as tired. I do not learn lines as efficiently as I used to, so I've had to put in extra hours to get them, and I am still stumbling over them. We only have about 8 days total to get this production going, so the time pressure adds to the stress. And just this morning, we have had added to our plate a benefit performance of Planet so as to help a local theatre in Lexington (the Lime Kiln Theatre) which just closed its doors, fired all its artistic staff and is endeavoring to raise funds so as to re-open. Thus it is that I have had to shove aside just about anything else but rehearsal. Thus it is that I have not the power to write much.
So if you are one of those kind people who have actually been reading this poor player's blog with any regularity, I hope you'll be patient and forgive me while I get this show and this part (Scrooge, by the way, in case you did not know) up on its feet. Once I feel more comfortable in what I'm doing and have reached a better comfort level for myself, I'll get back to writing something more interesting for you to read.
Bah! Humbug! -TWL
"that struts and frets his hour upon the stage,and then is heard no more"
...meditations on the art of theatre...
Wednesday, November 30, 2005
Tuesday, November 22, 2005
'Tis So Concluded On - 11/22/05

Well, we did the Sunday afternoon performance of MA, and then took off for Bethesda after getting a bite to eat. I ate at a new place for me, something called Baha Fresh. It's a Mexican-style place which served tacos, burritos and such. It seemed familiar to the west coasters in the troupe, so I gave it a shot. I ordered a "Burritos Dos Manos" which I thought was just an extra-large burrito. Turned out it was two extra-large burritos, way more food than I could handle. I ate one and saved the rest until last night, when I had it for dinner (refirgerating it overnight). Very tasty.
The show at Holton-Arms Academy was for a private all-girls school. We stayed most of the day there. Thye show they asked for was R3, which is a big surprise for any high school. But Holton Arms apparently is not any high school. Being private, it costs quite a great deal of money to attend there. I saw one young lady drive up to school in her red Audi sports car. The building is all practically brand-new. The theatre was very nice. Everything about the place just exuded dollars. Of course, it was located in a toney section of Bethesda, a suburb of DC, so I suspect many well-off families sent their daughters there. And of course, the ladies were not stupid. I am assuming the school takes high academic achievers, given its private standing. They were an attentive audience, but of course some references referring to women did not get past them. When Alyssa, as one of the murderers of Clarence, says "'tis cowardly and womanish" you could hear the laughs go on. Similarly when Richard talks to Elizabeth about her womb as the "nest of spicery" there were some interesting reactions, from giggles to ooohhs and aaahhhs. It sort of gave the play an interesting spin to have an all-female audience listening to the show. After a rather raucous lunch in the cafeteria, we have several simultaneous workshops going on. Kevin and I did the one we call "Shakesfeet," which tries to give the students a few tools for getting Shakepseare "on his feet" by using paraphrasing and understanding of verse. That took an hour, and then we headed back to Staunton through the pouring rain. When we got into town we unloaded the cargo van of everything that we did not need for today, and headed off to sleep. I got a room in the Frederick House for the evening, whose wonderful proprietors, Denny and Karen, made me feel at home. A little Monday Night Football, and then a little sleep.
Today's gig was in Goochland, and it was a bit difficult. We thought the show was scheduled for 1:00, but they had changed the time to 1:30 for their schedule. We left Staunton at 9 AM and had a lot of time to kill before 12:30, as they had classes in the theatre before then. So some of us went to Tracey's Cafe, where they served a lot of fried death. I tried the meatloaf and mashed potatoes, one of two not-fried sides, and it was OK. Heading back to the theatre, we discovered that the audience would also be made up of elementary kids as well. I've no idea why they included

So - the fall leg is now over. Everyone I think is suffering from some form of fatigue or another; some have tired voices (me), Kevin just barely made it through today's run and seems to be getting flu-like symptoms; others are just generally weary and looking forward to the break. I will probably ruminate on touring in another entry, but there is no doubt that touring takes its toll on you physically and psychologically. I am looking forward to seeing my family over the break (all the kids are coming home). I need to get my lines down for CC and then get set to perform through Christmas (won't be back home until after the New Year). But of course, I still have the 7-hour drive home ahead of me as I write this, so I think I'll kick back in my "office," have a cup of the coffee sitting in my thermos, and prepare the head. A Happy Thanksgiving to you all! - TWL
Sunday, November 20, 2005
Home Stretch - 11/20/05
Rockville, MD - I neglected to mention when I previously posted this morning that I have some new videos and photos for you to check out if you so desire.
I also did not mention what a pleasant drive we had from Danville to Fredericksburgh. Up US Highway 350 on a beautiful, sunny day. The road was lined with very pretty farms, and had no "MallofAmerica" strips along it. A tree-lined, four-lane highway with a 60MPH speed limit, it was a magnificently genteel cruise up the state of Virginia. We made one stop at a local mini-mart, where I could not resist buying a moon pie and a $5 "Bah Humbucks" VA lottery ticket scratch-off. I won nothing. Typical. -TWL
Fredericksburgh, VA - It's a quiet Sunday morning, and today marks the end of our stay in Fredericksburgh, VA. We did two Much Ados on Friday, one at a local high school and one evening performance at University of Mary Washington, which is the home of the Fredericksburgh Festival of the Arts. The yesterday it was Planet in the afternoon, and R3 in the evening. This afternoon we have another Much Ado, and then off to Bethesda MD for a day at a local girl's academy in the area, and back to Staunton by Monday evening. Our final gig is in Goochland VA, between RIchmond and Charlottesville, and then the fall leg is complete.
I think everyone is looking forward to the upcoming Thanksgiving break. While the general mood of the company remains positive and the shows seem intact and strong this weekend, there is still that little sense of anticipation in the air as you catch snippets of phone calls or conversations. People have made preparations for travel, and we all can only hope that the nasty weather which seems to be in the offing for the east coast is not as bad as is being predicted. I am leaving for home after Tuesday's show, and all the weather reports seem to indicate heavy rain and/or snow. I am scheduled for an MRI in Jamestown on Wednesday morning, so Tuesday will be a caffineated day, to be sure.
This final push out has not been too bad. The trip from Lawrenceville to Danville was very nice, about 2.5 hours. What has been most regretful for me this last leg has been the inability to get to see some sites around the area. Lawrenceville seems from the van to be not too prosperous an area, but upon arriving at Danville, I seemed to get the impression that this was a fairly prosperous place. We drove right through the downtown area, and it seemed impressive from the van. At the very least I can tell you that the main street (Main Street?) was lined with these incredibly large houses; one might say mansions, except they probably are all now multi-family dwellings or offices. The churches were all neatly tucked in among these houses. It was an architectural site, and I found myself imagining the splendor of these places during the pre-Civil War era. Not being an architectural historian of any sort, I would imagine some of them were built after the war as well. This area is just south of Appomatox, Richmond and Petersburgh, so the notions of what the place was like during the mid-nineteenth century came readily.
In Danville we played at Averett College, and just like the rest of the town, it too
was a neat collection of buildings set right in the heart of the town. It's one of those colleges where the main buildings all have four large Dorian columns at their main entrances. On this campus I did not see one modern building (even the dorms seemed about 1950s or so), but one was in the offing at the rear of the campus. The campus itself had many small green areas, but no wide open quadrant. We got a warm welcome from Joey in Student Life, had lunch during their Cuisines of the World event in the cafeteria, and then checked into the motel.
The Stratford Inn was a bizarre motel which, at its height somewhere 40 or 50 years ago was probably thought to be a five-star accomodation, but it has since gone to seed. It consisted of four little complexes scattered across the hill. There was a dining room, a bar (Which closed at 10:00 PM on weekdays to the frustration of a few company members), and a front office which never answered the phone. When you went into the bathroom, the back of the door had the same wallpaper as the walls, which led to this eerie feeling of having been transported and caged in some little surreal jail cell. The electricity was wired so weirdly that you had to throw a set of switches in just the right combination to get the electricity to work. All of the furnishings and decor were dark and somber, and the feeling of decayed elegance permeated everything. I would up with the feeling that it sort of symbolized the area itself, but I did not get any chance to explore the rest of the city beyond the college.
We did Much Ado for the college in a cavernous theatre which, again, spoke to a time long gone by. The theatre's rigging system, such as it was, was managed by sandbags. There was stuff everywhere around the theatre complex. Every nook and cranny seemed to be filled with props or construction material or furniture. A hallway served as storage for their wood supply. Paint cans were open and in the alcoves of the entrances to house right and left. A seat cushion sat in another alcove atop some sort of set piece. Backstage were all manner of tools and more storage. The dressing rooms were off the costume shop, and bolts of cloth and other material were stacked along every wall. I have absolutely no idea why this theatre on this campus continued to operate, as the whole place broke almost every known fire and emergency code in existence. Daniel is actually qualified as a fire inspector, and he was as in awe of how many violations there were as I was. Again, it all just had a feel of an era gone by, as if the whole theatre complex was still in the 50s. Quite amazing.
The performance itself was, as usual, OK; it's always mostly the audience reaction that creates the difference. As the space was large there was little chance for intimacy, and the bulk of the audience seemed to be made up of students looking for extra credit. In fact, Tyler said that, while he was in the audience during the gulling scene, some of the students actually asked him for his autograph, as they got extra credit for doing so. It was also pretty hot in that space, and I think the heat got to everyone. The rush to get out at the end was great, and I had a hard time getting through the crowd to my merchandise table. I think when we play these larger proscenium spaces it is much harder to create that sense of audience involvement which original practices encourages. It makes me wonder sometimes about original practices in the Blackfriars vrs, original practices in the Globe. Were they different? Or is it just the expectations and assumptions of the audiences which have radically changed? We certainly don't play for Elizabethan audiences, and I think in larger spaces that makes a difference in how our original practices come across. I find in general our shows in smaller spaces, such as the one we're in now, are more conducive to original practices.
Here in Fredericksburgh we are working in a large ballroom in Lee Hall. The stage is makeshift, and it shakes a great deal. making us a bit nervous at times. We are pretty much locked into the backstage area, as we cannot leave the ballroom itself without being seen. There are numerous flags hanging from the rafters, giving the place in international feel. The audiences have not been large, mostly filling the center section three rows deep and a bit to either side. When we play on these portable spaces we have no seats on stage, so audience contact is a bit limited to the sides. Bill Gordon, our booking dude down in Staunton, is with us this weekend, and seems to be having a good time. We ARE the "Festival of the Arts" this weekend. I had thought we were one attraction in a number of art events in town, but it turns out we are it. The people who run the event seem pleased (I think this is ASC's seventh year here), but they also seem disappointed about the small turnout. The audiences here are enthusiastic, and like other places where ASC has played for a number of years, there are people who come every year to every show. But given the number of chairs set up, we are playing to 50% of capacity.
So it is this morning that, as I come to the final days of the fall leg of this tour, I find myself wondering about audiences. In each city we've played, and especially in places were we don't play every year, the audiences appear to be small but loyal followings of people combined with a sprinkling of students. In places like Canton and Shreveport, where the company's annual visit is a highlight of the year, there is a dedicated collection of people who love to have us in, yet that group is always rather small, and does not seem to have a broad base reaching into the community at large. They tend to be academics in the humanities and fine arts, waging a somewhat quixotic struggle to bring culture to their part of the world. In no place that we've played could the box office had paid our fee. This same issue is cropping up back home in Fredonia, where choosing a season is primarily dictated not by artist value or educational value, but by whether or not the audience will come to see the show. When I examine and try to make sense out of what I do as an actor, this question about the audience always seems to nag me. Deep in my actor's soul, I want to play for audiences that are lively, engaged, and to some measure will take out with them the ideas, thoughts and feelings which a play might produce and incorporate (or actively reject) that experience into their lives so as to enrich their lives and the lives of those around them. Yet I am more often struck with the reality that most audience members who attend a play watch, listen, nod, approve, admire, compliment, and then move on. Another cultural notch on the belt. I think if I could make up a rule about academics coming to cultural events, it would be that they had to go find someone somewhere on campus or in town who had never seen a Shakespeare play (or whatever particular cultural event they might be attending) and bring them to that event, aiding in whatever manner needed to help the neophyte enjoy it. Unless they did that, they would not be admitted. It will never happen, of course, and it's a silly notion. But it comes from wishing that Shakespeare's original audience conditions could once again be a reality; where the poor and the rich, the educated and the illiterate all came together in one place at one time to revel in these words and stories and took them to heart. If we can labor to create original staging practices for the players, perhaps we might also turn our labor to creating original practices for our audiences as well. -TWL
I also did not mention what a pleasant drive we had from Danville to Fredericksburgh. Up US Highway 350 on a beautiful, sunny day. The road was lined with very pretty farms, and had no "MallofAmerica" strips along it. A tree-lined, four-lane highway with a 60MPH speed limit, it was a magnificently genteel cruise up the state of Virginia. We made one stop at a local mini-mart, where I could not resist buying a moon pie and a $5 "Bah Humbucks" VA lottery ticket scratch-off. I won nothing. Typical. -TWL

I think everyone is looking forward to the upcoming Thanksgiving break. While the general mood of the company remains positive and the shows seem intact and strong this weekend, there is still that little sense of anticipation in the air as you catch snippets of phone calls or conversations. People have made preparations for travel, and we all can only hope that the nasty weather which seems to be in the offing for the east coast is not as bad as is being predicted. I am leaving for home after Tuesday's show, and all the weather reports seem to indicate heavy rain and/or snow. I am scheduled for an MRI in Jamestown on Wednesday morning, so Tuesday will be a caffineated day, to be sure.
This final push out has not been too bad. The trip from Lawrenceville to Danville was very nice, about 2.5 hours. What has been most regretful for me this last leg has been the inability to get to see some sites around the area. Lawrenceville seems from the van to be not too prosperous an area, but upon arriving at Danville, I seemed to get the impression that this was a fairly prosperous place. We drove right through the downtown area, and it seemed impressive from the van. At the very least I can tell you that the main street (Main Street?) was lined with these incredibly large houses; one might say mansions, except they probably are all now multi-family dwellings or offices. The churches were all neatly tucked in among these houses. It was an architectural site, and I found myself imagining the splendor of these places during the pre-Civil War era. Not being an architectural historian of any sort, I would imagine some of them were built after the war as well. This area is just south of Appomatox, Richmond and Petersburgh, so the notions of what the place was like during the mid-nineteenth century came readily.
In Danville we played at Averett College, and just like the rest of the town, it too

The Stratford Inn was a bizarre motel which, at its height somewhere 40 or 50 years ago was probably thought to be a five-star accomodation, but it has since gone to seed. It consisted of four little complexes scattered across the hill. There was a dining room, a bar (Which closed at 10:00 PM on weekdays to the frustration of a few company members), and a front office which never answered the phone. When you went into the bathroom, the back of the door had the same wallpaper as the walls, which led to this eerie feeling of having been transported and caged in some little surreal jail cell. The electricity was wired so weirdly that you had to throw a set of switches in just the right combination to get the electricity to work. All of the furnishings and decor were dark and somber, and the feeling of decayed elegance permeated everything. I would up with the feeling that it sort of symbolized the area itself, but I did not get any chance to explore the rest of the city beyond the college.
We did Much Ado for the college in a cavernous theatre which, again, spoke to a time long gone by. The theatre's rigging system, such as it was, was managed by sandbags. There was stuff everywhere around the theatre complex. Every nook and cranny seemed to be filled with props or construction material or furniture. A hallway served as storage for their wood supply. Paint cans were open and in the alcoves of the entrances to house right and left. A seat cushion sat in another alcove atop some sort of set piece. Backstage were all manner of tools and more storage. The dressing rooms were off the costume shop, and bolts of cloth and other material were stacked along every wall. I have absolutely no idea why this theatre on this campus continued to operate, as the whole place broke almost every known fire and emergency code in existence. Daniel is actually qualified as a fire inspector, and he was as in awe of how many violations there were as I was. Again, it all just had a feel of an era gone by, as if the whole theatre complex was still in the 50s. Quite amazing.
The performance itself was, as usual, OK; it's always mostly the audience reaction that creates the difference. As the space was large there was little chance for intimacy, and the bulk of the audience seemed to be made up of students looking for extra credit. In fact, Tyler said that, while he was in the audience during the gulling scene, some of the students actually asked him for his autograph, as they got extra credit for doing so. It was also pretty hot in that space, and I think the heat got to everyone. The rush to get out at the end was great, and I had a hard time getting through the crowd to my merchandise table. I think when we play these larger proscenium spaces it is much harder to create that sense of audience involvement which original practices encourages. It makes me wonder sometimes about original practices in the Blackfriars vrs, original practices in the Globe. Were they different? Or is it just the expectations and assumptions of the audiences which have radically changed? We certainly don't play for Elizabethan audiences, and I think in larger spaces that makes a difference in how our original practices come across. I find in general our shows in smaller spaces, such as the one we're in now, are more conducive to original practices.
Here in Fredericksburgh we are working in a large ballroom in Lee Hall. The stage is makeshift, and it shakes a great deal. making us a bit nervous at times. We are pretty much locked into the backstage area, as we cannot leave the ballroom itself without being seen. There are numerous flags hanging from the rafters, giving the place in international feel. The audiences have not been large, mostly filling the center section three rows deep and a bit to either side. When we play on these portable spaces we have no seats on stage, so audience contact is a bit limited to the sides. Bill Gordon, our booking dude down in Staunton, is with us this weekend, and seems to be having a good time. We ARE the "Festival of the Arts" this weekend. I had thought we were one attraction in a number of art events in town, but it turns out we are it. The people who run the event seem pleased (I think this is ASC's seventh year here), but they also seem disappointed about the small turnout. The audiences here are enthusiastic, and like other places where ASC has played for a number of years, there are people who come every year to every show. But given the number of chairs set up, we are playing to 50% of capacity.
So it is this morning that, as I come to the final days of the fall leg of this tour, I find myself wondering about audiences. In each city we've played, and especially in places were we don't play every year, the audiences appear to be small but loyal followings of people combined with a sprinkling of students. In places like Canton and Shreveport, where the company's annual visit is a highlight of the year, there is a dedicated collection of people who love to have us in, yet that group is always rather small, and does not seem to have a broad base reaching into the community at large. They tend to be academics in the humanities and fine arts, waging a somewhat quixotic struggle to bring culture to their part of the world. In no place that we've played could the box office had paid our fee. This same issue is cropping up back home in Fredonia, where choosing a season is primarily dictated not by artist value or educational value, but by whether or not the audience will come to see the show. When I examine and try to make sense out of what I do as an actor, this question about the audience always seems to nag me. Deep in my actor's soul, I want to play for audiences that are lively, engaged, and to some measure will take out with them the ideas, thoughts and feelings which a play might produce and incorporate (or actively reject) that experience into their lives so as to enrich their lives and the lives of those around them. Yet I am more often struck with the reality that most audience members who attend a play watch, listen, nod, approve, admire, compliment, and then move on. Another cultural notch on the belt. I think if I could make up a rule about academics coming to cultural events, it would be that they had to go find someone somewhere on campus or in town who had never seen a Shakespeare play (or whatever particular cultural event they might be attending) and bring them to that event, aiding in whatever manner needed to help the neophyte enjoy it. Unless they did that, they would not be admitted. It will never happen, of course, and it's a silly notion. But it comes from wishing that Shakespeare's original audience conditions could once again be a reality; where the poor and the rich, the educated and the illiterate all came together in one place at one time to revel in these words and stories and took them to heart. If we can labor to create original staging practices for the players, perhaps we might also turn our labor to creating original practices for our audiences as well. -TWL
Wednesday, November 16, 2005
The Final Push - 11/15/05

Having now recovered from whatever it was that attacked me (I presume some sort of food poisoning, or perhaps my body has had one too many Subway sandwiches and is just trying to clue me in), I can give out with a few more details about the past few days. The environs of Toledo was my last port of call, and, not that I want to cast aspersion on the noble city of Toledo, but folks, there ain't much happening there. One of our troupe asked the motel clerk if there was anything to do, and the response was that we had arrived at that part of the USA where there is truly nothing going on for miles around.
It was, in terms of our actual raison d'etre, a pretty good time. One thing that set this gig apart from many of the others we had recently played was that, since the audience was basically composed of the Ohio Shakespeare Conference attendees, they actually got stuff. I think this fact helped improve our shows a bit over those three days. Theatre, of course, is quite an interactive art

Many troupe members had family there. Alyssa's parents drove down from their house deep in the woodlands of Michigan, and Sarah had her brother and her godparents come visit. Chris is also from the area, and his family came and enjoyed the shows. Alyssa's parents threw a party on Sat. night with all the fixings - beer, pizza, veggies, fruit, little danishes, and Coca-Cola just for me - and we had a good time there (thanks, guys!). Video is here. I didn't stay too long because I had to drive first leg the next day to Staunton.
We also did a number of workshops there. We did one at Lake High School, just down the road. Their mill levy (basically a school tax) had been defeated six times, and it was on of their students who arranged to bring us in. We did our Acting Shakespeare workshop for 28 kids there. Many of them showed up for our performances at the college.

Then Olivia, Daniel, Andrew, Kevin and myself set out to explore downtown Toledo. It was Veterans Day, which helped to explain some of the deserted feel of the place, but even so, there was hardly anyone out on the streets or in the parks. We had lunch at a place called Spice, had some coffee, walked down by the river, and watched a Greek steamship get tugged down the river. Very eerily quiet all the way through. Even on a holiday you would expect to see some life somewhere. I almost thought I was on Main Street in downtown Buffalo!
I managed to miss the biggest highlight of all - a drunken Tyler Moss singing Let's Get It On at the Comfort Inn karaoke night across the street from our motel. Apparently it was a major hit with the Toledo karaoke crowd, which was a mix of people from all walks of life. Me, I'm the kind of guy who sits up at night and blogs, and then does his laundry. Boring!
So from Ohio we drove to Staunton for a quick respite. From the flatlands of the Ohio prairie through the Appalachians to the mountains of the Shenandoah Valley. Some change of scenery. One thing is for sure in the Northeast - fall is over. The starkness of November is now very apparent, as the last few storms have knocked down the final stubborn leaves. I got sick in Staunton. But on Monday night the Rez troupe had a Greekfest Party upstairs at J.P. and Doreen's place - to which Atomic was invited - and when everyone found out I was sick, they brought me down some food and kept me some company. Very nice of them. Good folks.
Staying in Staunton was a bit of a tease, as for just a few seconds there I found myself lulled into the belief that the first leg was over. But there is still one more week to go, and a busy one at that. We really pick up steam on the weekend at the Fredericksburg Festival of the Arts, doing some two-a-days and changing venues quickly. So we are now in the final push of the fall leg. I think people are anxiously awaiting the end based on the reactions of people when we got to Staunton. Everyone seemed happy to be "home" if only for a short day. The place of course has the air of familiarity to it, and we know right where to go to get our coffee, lunches, food, haircuts, etc. I would like to have gotten out Monday for some sort of recreation but alas was just too weak and in need of rest.
So today (well, actually, Tuesday by the time this is posted) we piled in the van once more and set out for Lawrenceville, VA.

So I think I'm mostly caught up. Videos still left to do, as well as upload more pictures. Maybe tomorrow (or rather, later this) morning. Oh, and I got a new iPod to replace the one I sold to my daughter. A video iPod. Now, next time you see me (who knows when?) I can show you my videos straight off the iPod. But of course, you have to have a "special format" for the iPod, so now I have to compress everything TWICE! Perhaps the iPod format will also stream from the net. Must test this out. But enough for now. My bed calls! Buenas noches! -TWL
Monday, November 14, 2005
Under the Weather - 11/14/05
Staunton, VA - I am a little under the weather this morning, having passed a rather rough night. Something I ate somewhere last night apparently did not agree with me. So this morning I am struggling to recuperate by pretty much staying indoors and vegetating. The three shows at Owens Community College went well, aided by some fine audiences. Another long ride from Ohio to Staunton yesterday. So let this suffice for now and I'll give you more details later. -TWL
Friday, November 11, 2005
Van-Tastic! 11/10/05
Perrysburg, OH - Whew! Two full days traveling in the van can sure consume more energy that you might think. From Bangor, ME to Perrysburg, OH (just south of Toledo) is 980 miles. I believe that's the longest stretch between two venues that we do this tour. The Elon-to-Shreveport stretch was also two days, but not quite the same distance, I think (35 miles shorter, in fact). From the Maine coastline and mountains of New England, we are now in the flatlands of Ohio. Quite a change of scenery. Once we finish this venue we have one more 8.5 hour trip to get back to Staunton on Sunday.
It occurs to me that I haven't really said much about life in the vans, so since we just completed a long can trip right now seems ideal. As with most situations where people inhabit space, each of us has by now "marked our territory" and carved out a little section of the van to which we return almost every time. I have laid claim to the rearmost seat in the Passenger van, which holds eight of us. The Cargo van holds four people, almost always Greg, Chris, Tyler and Alyssa. Usually Olivia will be in front of me, with Daniel and Sarah next forward, Carrie and Kevin next, and Andrew, our troupe navigator, in front, and Jessica driving. Now, we do switch drivers often, as no one drives for more than four hours at any one time, so the order changes
somewhat depending on who's driving. But if I am not driving I have that far back bench.
This location in the van has its advantages and disadvantages. The greatest disadvantage is that it is the worst location as far as the ride is concerned. The bumps in the road are felt the worst there,as are the swervings and turns. It is definitely not the place to sit if you are prone to carsickness. You're also always the last one out of the van at any stop, which means things like having to be last in line for the gas station restrooms at the small one-holers. Climbing out from that location means moving backwards and emerging rear-end first, not exactly genteel. The advantage, though, is that it has the most room, and so I can spread out my gear and get work done. My computer will sit on the bench and I can plug in things like my backup hard drive and organize all my photos and videos. That saves me a lot of time in my hotel room. I can also stretch out a bit more than in a regular seat, but it still gets cramped back there like every other place in the van. I can also nap pretty good there if I want, but I hardly ever nap in the van anyway. Lastly, I can see everything in front of me, and in some ways it affords a bit of privacy, such as it is. I can attach the antenna of my XM radio to the top of the roof, snake the cord in through the back window, and listen to my music far away from the music from the front of the van.
Or I listen to my audiobook (right no I have Will in the World going). The rest of the troupe has taken to calling the space "my office," and Olivia acts as my secretary ("hold all my calls please!")
We try as hard as possible to limit any one day to more than 8 hours as long as we have no show that night. We break about every two hours for stretching and bathroom. We try to keep the breaks to under 10 minutes with 30 minutes or so for a lunch break. Usually nobody drives more than two shifts per day. The navigator has the responsibility of attending to the driver's needs and keeping them alert and on course. The driver has control of the radio/iPod, but of course everyone has their own music player, so the music for the driver usually stays up front. We have power converters in the van, so people can use their computers with the power plugged in, as well as charging cell phones and players. The two vans keep in contact via small walkie-talkies.
Rest stops take on a life of their own. You quickly discover how alike all rest stops in the USA are, with the same items for sale over and over and over. The most unique one we stopped at
so far, as far as I was concerned, was in Louisiana, where they sold a weird collection of NASCAR paraphenalia, southern memorabilia, and boiled peanuts. But sometimes it just seems like someone is following us and putting up the same shelves of snacks, the same coolers of drinks, and same containers of coffee every time. Of course, this still doesn't stop me from wandering aimlessly around each and every one, hoping to find something different. Given my low-fat needs, however, about all I can eat are pretzels and V8 juice. I have gotten better at not buying stuff, however, because a lot of the time you buy something not because you're hungry, but because you're bored, and it's there. Less modern rest stops means we have to line up for using the bathroom (no one ever passes by a stop without going), and we use the women's and men's interchangeably - whichever is open and available. It's also important to stretch, and Kevin even went so far as to buy a jump rope and skip rope at stops.
Conversations can be quite interesting. Sometimes the whole van will get involved, other times only benchmates. They range from the philosophical to the political to the social
to the theatrical. Often they are quite funny. People share stories about their past lives, and I think it's in these van trips that we get to know the most about each other. But everyone also has their way of escaping: Daniel has his music, his phone his computer and his coffee; Kevin a book and music; Olivia music mostly; Jessica a book or sleeping; Carie napping or computer work; Sarah writing in her journal; Andrew with music or navigation. And so we pass the time on the magic vans, praying to the van gods daily that we don't break down.
So Tuesday we went from Bangor to Syracuse NY. The gig at Bangor was a bit off-kiltor, shall we say. The space was not too conducive to what we do, and rather than act on the small stage in the room we were in,
Carie came up with the suggestion of creating a playing space on the floor and turning the audience around, which we did. But the stage left entrance was made from outside the building, and the run around from stage right to stage left was long! It was also hard to hear from outside stage left, and two of my entrances were a little late because I had difficulty hearing my cues while trucks drove by on the road. It was another arrive/loadin/do show/loadout venue, and we, as always, made do. Syracuse is Tyler's home town, so he got to go home to his folks while we all stayed at the motel. Andrew, Sarah and I ordered Chinese delivered from the East Wok, and watched Rome, Bill Maher's Real Time, and The Daily Show before retiring.
The next day, Wednesday, I asked to drive the first shift because I saw all the bad weather coming and I know the NY State Thruway like the back of my hand. Sure enough, we drove through some really heavy weather - thunder, lightning, sheets of rain and high winds attended our journey from Syracuse to Erie PA. The drive was not the most fun I ever had, but I have to admit I was happy to have been behind the wheel through it all. It was pretty odd to pass all my familiar landmarks, and pass right by Dunkirk/Fredonia without stopping. But since Ann Marie is still on Long Island attending to her mother (who seems to be recovering well, thank God), there was no point in stopping. I waved to SUNY Fredonia as we passed it, and everyone in the van got a look and clapped. We had lunch just outside of Erie PA, and then Jessica took over the driving as the weather cleared up. Ohio is Chris Seiler country (a native of Sandusky OH, graduate of Kent State), so in going through Cleveland we saw all the sights there as we passed through: Jacob's Field, Browns Stadium, the "Q" Arena, and the mighty Cuyahoga River. One thing I noticed particularly - the rest stops on the Ohio Turnpike are vastly improved! They really used to be shitholes, but now they are clean, modern, with Wi-Fi access, Starbucks and other chain foods. Very pleasant. A five-star rating from Atomic Fission for Ohio Turnpike rest stops!
Once we got settled in our motel, a few of us took up Chris' invitation to go to his mom;s home and get a home-cooked meal. It was smashing - lasagna, salad, bread, apple pie. I ate quite a bit, busting the diet up somewhat. Then today we did a workshop at a local high school and a performance of Much Ado at Owens Community College. The theatre at Owens is a traditional proscenium space with all the theatrical amenities, so it's nice to be back in this sort of space after the Maine venues, which were small and cramped.
We are performing here at the same time as the Ohio Shakespeare Conference is having its annual conference. We're doing all three shows, with R3 tomorrow night and Planet on Sat. night. We have not done Planet since Canton, so busting it out will be fun again after we brush up with a music call Sat. PM to shake the rust off. I have a lot of workshops to do, so for now I think I've said enough and will call it a night/early morning. -TWL


This location in the van has its advantages and disadvantages. The greatest disadvantage is that it is the worst location as far as the ride is concerned. The bumps in the road are felt the worst there,as are the swervings and turns. It is definitely not the place to sit if you are prone to carsickness. You're also always the last one out of the van at any stop, which means things like having to be last in line for the gas station restrooms at the small one-holers. Climbing out from that location means moving backwards and emerging rear-end first, not exactly genteel. The advantage, though, is that it has the most room, and so I can spread out my gear and get work done. My computer will sit on the bench and I can plug in things like my backup hard drive and organize all my photos and videos. That saves me a lot of time in my hotel room. I can also stretch out a bit more than in a regular seat, but it still gets cramped back there like every other place in the van. I can also nap pretty good there if I want, but I hardly ever nap in the van anyway. Lastly, I can see everything in front of me, and in some ways it affords a bit of privacy, such as it is. I can attach the antenna of my XM radio to the top of the roof, snake the cord in through the back window, and listen to my music far away from the music from the front of the van.

We try as hard as possible to limit any one day to more than 8 hours as long as we have no show that night. We break about every two hours for stretching and bathroom. We try to keep the breaks to under 10 minutes with 30 minutes or so for a lunch break. Usually nobody drives more than two shifts per day. The navigator has the responsibility of attending to the driver's needs and keeping them alert and on course. The driver has control of the radio/iPod, but of course everyone has their own music player, so the music for the driver usually stays up front. We have power converters in the van, so people can use their computers with the power plugged in, as well as charging cell phones and players. The two vans keep in contact via small walkie-talkies.
Rest stops take on a life of their own. You quickly discover how alike all rest stops in the USA are, with the same items for sale over and over and over. The most unique one we stopped at

Conversations can be quite interesting. Sometimes the whole van will get involved, other times only benchmates. They range from the philosophical to the political to the social

So Tuesday we went from Bangor to Syracuse NY. The gig at Bangor was a bit off-kiltor, shall we say. The space was not too conducive to what we do, and rather than act on the small stage in the room we were in,

The next day, Wednesday, I asked to drive the first shift because I saw all the bad weather coming and I know the NY State Thruway like the back of my hand. Sure enough, we drove through some really heavy weather - thunder, lightning, sheets of rain and high winds attended our journey from Syracuse to Erie PA. The drive was not the most fun I ever had, but I have to admit I was happy to have been behind the wheel through it all. It was pretty odd to pass all my familiar landmarks, and pass right by Dunkirk/Fredonia without stopping. But since Ann Marie is still on Long Island attending to her mother (who seems to be recovering well, thank God), there was no point in stopping. I waved to SUNY Fredonia as we passed it, and everyone in the van got a look and clapped. We had lunch just outside of Erie PA, and then Jessica took over the driving as the weather cleared up. Ohio is Chris Seiler country (a native of Sandusky OH, graduate of Kent State), so in going through Cleveland we saw all the sights there as we passed through: Jacob's Field, Browns Stadium, the "Q" Arena, and the mighty Cuyahoga River. One thing I noticed particularly - the rest stops on the Ohio Turnpike are vastly improved! They really used to be shitholes, but now they are clean, modern, with Wi-Fi access, Starbucks and other chain foods. Very pleasant. A five-star rating from Atomic Fission for Ohio Turnpike rest stops!

We are performing here at the same time as the Ohio Shakespeare Conference is having its annual conference. We're doing all three shows, with R3 tomorrow night and Planet on Sat. night. We have not done Planet since Canton, so busting it out will be fun again after we brush up with a music call Sat. PM to shake the rust off. I have a lot of workshops to do, so for now I think I've said enough and will call it a night/early morning. -TWL
Monday, November 07, 2005
Solemnly Interred - 11/07/05
Bangor, ME - This morning I went out for a walk in the Maine Veterans Memorial Cemetery, and before I forget the experience I thought I'd get it down here before we do R3 tonight and then spend two days traveling.
I had intended this morning to get on the treadmill before we left for the short ride to Bangor, but the stale air in the motel room inspired me to walk outside. Sarah had mentioned to me that there was a veterans cemetery right next to us, so I decided to walk over and around the cemetery grounds.
The entrance was a long driveway bordered on both sides by a small woods and crossing a small grassy stream. As I walked along I could smell that great pine forest smell. The air was a bit damp but crisp, and the sun was beginning to burn off the morning fog.
As I got to the main grounds the cemetery opened up to me. Military cemeteries are unlike civilian ones in that the headstones are not above the ground but at ground level. When you first look around you think there's a lot of open space there until you see the rows of headstones sunk maybe an inch into the grass. The cemetery is located on a small hill, so the paths winding around the grounds were all nice uphills and downhills, with perfectly even asphalt pathways.
I approached the main chapel, and on the way there were many memorial benches lining the roadside. The chapel was a simple, elegant structure, and in fact the entire cemetery had a beautiful elegance and simplicity to it. From the chapel I walked down a path lined by flagpoles leading up to a small circle and a memorial. Off to the side of the chapel was a monument containing what I believe were all the names of the veterans buried there.
It being so close to Veterans Day, my mind became flooded with thoughts of war and peace: the 2,000 dead from the current Iraq war, the dead from the Gulf War I, and particularly the over 58,000 killed in Vietnam. I thought about the fact that in our Much Ado we are celebrating the joy of war's end, but ignoring the loss, pain and trauma that goes along with that end. Our soldiers exhibit joy in finding love but no trauma in having seen death. I've always had trouble with that aspect of the production, but I had managed to keep it aside until it came back this morning.
I've always been a pacifist, having applied for conscientious objector status during Vietnam (I did not receive it because my draft lottery number in 1972 was not called). Every Veterans Day I remember those years, trying hard to do what I could to help end the war and keep people from dying. As I grow older it seems that those deaths haunt me more. I've not only seen how people can die physically, but how they can live physically, but die psychologically. And I always feel helpless and ashamed, not because I did not serve, but because I could not build that world where the need to serve did not exist. Iraq reminds me of that daily.
I left the cemetery and noted in my mind to remember to call the vets I know this Friday and thank them and wish them well. I took a moment to honor the dead, and I walked back through the beautiful morning to my room, packed up, and came to Bangor. I was happy to know that in Maine they have a beautiful place to repose. Honor for the dead; peace for the living. May we see that soon. -TWL
PS - There are new videos and pictures to see. Check the links on the right to go over and view them.
I had intended this morning to get on the treadmill before we left for the short ride to Bangor, but the stale air in the motel room inspired me to walk outside. Sarah had mentioned to me that there was a veterans cemetery right next to us, so I decided to walk over and around the cemetery grounds.
The entrance was a long driveway bordered on both sides by a small woods and crossing a small grassy stream. As I walked along I could smell that great pine forest smell. The air was a bit damp but crisp, and the sun was beginning to burn off the morning fog.
As I got to the main grounds the cemetery opened up to me. Military cemeteries are unlike civilian ones in that the headstones are not above the ground but at ground level. When you first look around you think there's a lot of open space there until you see the rows of headstones sunk maybe an inch into the grass. The cemetery is located on a small hill, so the paths winding around the grounds were all nice uphills and downhills, with perfectly even asphalt pathways.
I approached the main chapel, and on the way there were many memorial benches lining the roadside. The chapel was a simple, elegant structure, and in fact the entire cemetery had a beautiful elegance and simplicity to it. From the chapel I walked down a path lined by flagpoles leading up to a small circle and a memorial. Off to the side of the chapel was a monument containing what I believe were all the names of the veterans buried there.
It being so close to Veterans Day, my mind became flooded with thoughts of war and peace: the 2,000 dead from the current Iraq war, the dead from the Gulf War I, and particularly the over 58,000 killed in Vietnam. I thought about the fact that in our Much Ado we are celebrating the joy of war's end, but ignoring the loss, pain and trauma that goes along with that end. Our soldiers exhibit joy in finding love but no trauma in having seen death. I've always had trouble with that aspect of the production, but I had managed to keep it aside until it came back this morning.
I've always been a pacifist, having applied for conscientious objector status during Vietnam (I did not receive it because my draft lottery number in 1972 was not called). Every Veterans Day I remember those years, trying hard to do what I could to help end the war and keep people from dying. As I grow older it seems that those deaths haunt me more. I've not only seen how people can die physically, but how they can live physically, but die psychologically. And I always feel helpless and ashamed, not because I did not serve, but because I could not build that world where the need to serve did not exist. Iraq reminds me of that daily.
I left the cemetery and noted in my mind to remember to call the vets I know this Friday and thank them and wish them well. I took a moment to honor the dead, and I walked back through the beautiful morning to my room, packed up, and came to Bangor. I was happy to know that in Maine they have a beautiful place to repose. Honor for the dead; peace for the living. May we see that soon. -TWL
PS - There are new videos and pictures to see. Check the links on the right to go over and view them.
Sunday, November 06, 2005
Maine-ly Speaking - 11/06/05

The company split up after the second matinee of MA, with the Acting Shakespeare workshop crew (which includes myself) staying behind to do three workshops while everyone else took off to Maine. My brother Jim from moe. came down for the show, and he enjoyed it (although he got there a little late). We had a nice lunch together before I had to get to my workshops. Unfortunately we did not take a group picture at St. Joe's, probably due to the split. Kevin, Olivia, Chris and I left after the workshops and got to Maine about 8:45 PM, making Friday a long day.
But yesterday we had all day off before the show, and today was a full day off, so I feel pretty rested. The venue here was small and had a teeny tiny backstage and no

With my time off I did some necessary shopping (toothpaste, razor, shaving cream, Ricolas) and some unnecessary shopping at an Eddie Bauer outlet store (fleece vest, cotton shirt, case for my GPS). I tell you, I seem to have done more shopping on this tour that I have ever done in the last five years. The Eddie Bauer stop was probably a mistake, but the prices on all the items was really astounding. I guess it's just that you get tired seeing yourself in the same old clothes day after day, so it's good to get a change. We get per diem here, so I got lunch at a place called Panera's, a bread store that does fancy-ass sandwiches. Too pricey, but good. I almost bought a coffee mug that clips onto a backpack with a caribiner clip, but I resisted. I already have too many things hanging off my backpack. I've also been getting a lot of computer work done here as well, compressing and uploading movies and pictures, and with any luck they will be up tomorrow before I leave here.
With today's full day off Jessica (my roommate here) and I did company laundry (my turn as make-up for missing the week I was gone) and my own. Breakfast was taken in a small diner right in the small strip mall. The place looked promising, as it was packed, but the meal turned out to be mediocre. The coffee was served black, no questions asked (very Midwest). We tried like hell to find a decent coffee shop in Augusta, but I'll give everyone a tip - Augusta is NOT a happening town. The best coffee shop in town is the Dunkin Donuts, where Jessica got an espresso and I got a latte. Don't come to Augusta for the coffee. Got back to the Comfort Inn (it's a nice one!), and did a little more computer work, watched a little football, did 25 minutes on the treadmill, and finally went out to dinner. I went out to Waterville ME, which is about 15 miles north and the home of Colby College, a venue I missed. And I GOT MY LOBSTER!!! I went to dinner with Jessica, and it was the first whole lobster she had ever had, as well as the first time for clams (all that stuff in not kosher). We pretty much made a mess of the table, but the lobster was delicious! I had been really disappointed that I had missed the Bar Harbor stop, since I was going to get a lobster there, so it was great to get that second chance. Then after a phone conversation with Red Shuttleworth, I bought SIn City on the TV and watched it - great flick! I like movies like that - something you can't really do in the theatre. That's what movies are about. Just a slick film. And now this blog entry.
And soon enough this first leg will be over! We do a gig tomorrow night in Bangor, then a two-day road trip to Toledo OH for three shows, then a quick stop in Staunton and finish off the fall leg in VA and MD. I'll be passing right through Dunkirk on the 10th, but probably won't get to stop, so anybody who wants to see me go by, stand out by Fort Apache or on the Brigham Road bridge over the Thruway and wave as I pass by! Look for two grey vans. Then after the fall leg is over I get to go home for Thanksgiving and have my MRI on my liver, and then Christmas Carol. Seems I just got back yesterday.

Thursday, November 03, 2005
Toil and Trouble - 11/03/05

The show at Framingham State was Much Ado, and it went well enough, but the space itself, while new and totally refurbished according to the troupe vets, was not so hot. We were located in a room in the college's student center which is designed for small lectures and performances, but not really for theatre. The first thing we learn is that we cannot use the "backstage" area (such as it was) because the room contained ductwork and therefore was a health hazard. So there was only one entrance into and out of the space. The green room backstage was designed to hold no more than two people maximum, so we also dressed in the hallway outside. The stage was wrapped with steps, so we had to play some parts of scenes on the stage and some parts of scenes on the floor, removing the first rows of seats. It got me to wondering why a venue would pay the amount of money they do and then place us in this type of space. Hmmmm.....
But as usual, due to our incredible flexibility, we got through the show. It was the one my daughter and her boyfriend came to see, and they enjoyed themselves. It was the first Shakespeare that Gabriel had ever seen, and he loved my little Third Watch kamikaze character. He said he'll never be able to picture me in fatigues again, and that my snorting sounds were just like those when I snore. We went out to a microbrew pub called Johnny Harvard's after the show, and then said goodbye.
Next morning the fat hit the fire. We had a 7:15 AM call for what we knew would be a busy day: drive to Cape Cod, put on our 90-minute Much Ado, and then drive to West Hartford CT. Two members were a bit late for call, but we got rolling soon enough. I was taking the first driving shift, and we were cruising well enough along Route 9, slowly but surely flowing with the traffic. Carie and Jessica had noted how well the passenger van was driving with the addition of some transmission fluid, and I noticed it as well. But all of a sudden I was getting no power from the engine at all. Press on the gas, and nothing. Nada. Zip. I pulled over into a side street, and we discussed the issue. Guessing that it was the transmission, we decided to try to use what little power remained to get to an Aamco station. Try as I might, crawling along the side of the road on Route 9, we did not make it. Pulled into another cul-de-sac and - breakdown.
So we had to call the Aamco station and get towed over there. We waited on the side street for about an hour, as other troupe members went to get breakfast at a nearby Dunkin Donuts (thanks, Kevin, for the use of your network!). Carie rented a minivan, stayed with the passenger van in Framingham, and off we went along with the cargo van, heading for the Cape, hoping to get there on time.


We got up this morning for our 10 AM performance of Much Ado (it

So yesterday was one of those days you'd just rather pack it all in and go home. We kid ourselves every so often by saying we are a cursed troupe, what with broken toes and torn ligaments and chickenpox and liver ailments and broken-down vans, but sometimes you just have to wonder. Keeping it together when all these little trials and tribulations come up can be challenging and vexing. I have to say that this troupe, in spite of all that seems to tweak at us and try our collective souls, has a resiliency which is just this short of miraculous. Perhaps all these little things make us a bit stronger as we go along. Generally speaking, we retain our humor and keep everything in some perspective. Once in awhile nerves get frayed and people sort of lose it one way or another, but apologies are made and accepted, energy is renewed, and we continue on. I sure wish I could get theatre students at Fredonia or anywhere for that matter to witness on a daily basis how this collection of actors lives and works. I'm pretty proud of them and proud to be part of the troupe, as much because of the grace and patience they have shown under fire and under straining circumstances as their talent and their work on stage. They rock! -TWL
Monday, October 31, 2005
The Gathering Gloom - 10/31/05
Natick, MA
The ride from Canton to Lee was almost surreal in a sense. The other 7 people in the van with me hardly seemed as if they were there; just a collection of more shadows in the dark. We took a route which took us through the Adirondacks, but since it got dark by 5:30 there was nothing to see. My body felt tired like it was 11:30 PM, and when I looked out the window into the gloom outside, it looked like it was 11:30, but my watch said 6:30 PM. I tuned into my XM satellite radio (this thing is a little marvel, by the way, and makes van rides so much more pleasant) and listened to a program of "new music" called "Hearts of Space," which played a collection of music especially for Halloween called "The Gathering Gloom." That music and the show brought everything about this time of the year together, and I sat there quite zoned out in the back of the van, just letting the music soothe me. I think after listening and breathing through that music I must learn to make better acquaintance with the shades and essences of the night. There is some poetic irony in all this, because having been in theatre all my life - a business which is a night business and which takes place mostly in darkened spaces - you would think I'd be used to the dark. Perhaps all this "doing it with the lights on" business has begun to subliminally change my perspective.
We got to Lee MA last night about 11:00 or so and spent the night in a somewhat low-brow motel. This morning I got up to a beautiful morning, and walked down the road to Lee for my exercise. I crossed the Housatonic River and got some good coffee and a bagel with low-fat veggie cream cheese, and walked back to the motel. Then we packed up again for the short ride to Framingham MA, and the Best Western is a decided upgrade. We had the rest of the day off.
Now it just so happens that my oldest daughter Jenna lives in the next town over, Natick (hence the dateline), and so right now I'm in her apartment writing this post. She came to get me shortly after I got in, and we spent the rest of the afternoon (temperature 70 degrees) walking through downtown Natick (which is very nice), going to dinner at an Indian restaurant, and chatting over tea in her apartment. She and her boyfriend Gabe are coming to the show tomorrow night, so I'm looking forward to that. She also took me shopping, and I bought a lot of stuff: a pair of gloves (lost mine in Canton), a new hat (mine got stolen in Canton), a micro-light for my keychain, a smaller Nalgene bottle, and a new pair of Ecco all-purpose shoes, which was a big splurge, but I could not resist as my current pair were beginning to wear out and I was feeling pain in the ball of my right foot as I walked. These are cross-trainer style with a Gore-Tex exterior, so they should last awhile and be far more comfortable. If you've never worn Ecco shoes, google them on the web and check them out - they are great! Most comfortable shoes I've ever owned.
The week in Canton, after a rocky start, ended up OK. My host family, Bruce and Karen Weimer, were great people. Bruce is a St. Lawrence English professor specializing in 18th and 19th century American Literature, with a special emphasis on Poe. Karen teaches at Potsdam and has spent the past 21 years studying the Amish in New York State. We had a nice conversation about the Amish the morning I left. Perhaps most disappointing were the size of the crowds. The vets in the troupe seemed surprised at the small turnouts (although the second Much Ado was SRO), especially at the midnight show. Most of our troubles could be directly attributed to our contact, who really turned out to be IMHO a flake. From talking with Karen I came to find out that the usual contact, a man named Tom, was not available this year, so Lyle got the job. Even the house stay people were put off, as many of them heard very little until the Sunday we showed up. But once we got better settled and the weather improved the rest of the stay was good. It is nice to be able to stay in a venue for a few days, and we stayed in Canton a week. We've been in Vermont, New Hampshire and upstate New York since I got back, with very few signs of "mall America" in evidence in any of those locales, so when we got to Framingham this afternoon it was something of a culture shock all of a sudden to be dumped into the heart of "mall America." And our next few days are hectic, making up for the four days in New London and the week in Canton. From Framingham to Cape Cod to West Hartford CT to Augusta ME by the time the week is out. Whew!
Perhaps that's a sign to cash it in for tonight and get some sleep in preparation for tomorrow. And commune with the midnight spirits. -TWL
"Breathe deep the gathering gloom.Of all the times of the year, this is the time of year that is hardest for me to handle. The changing from Daylight Savings to Standard time brings the darkness by 5:30 PM, and from now until mid-February the days seem grey, cold and cheerless. Several things happen at once:
Watch lights fade from every room"
-Graeme Edge, The Moody Blues
- A mentioned, standard time returns. It seems now I feel that change to more darkness physically as well as psychologically; energy levels weaken, and it's hard to resist the urge to hunker down.
- Baseball season ends. The World Series is completed (congratulations White Sox!) and the sports scene holds only the glum violence of football, the stupid violence of hockey, and the non-contact violence of basketball. The world of sports descends into a spiral of violent play, and the pastoral beauty of baseball disappears until mid-February, when pitchers and catchers report.
- The brilliance and splendor of autumn's colors give way to the grey barrenness of naked trees.
- Cold, wind and snow are lurking on the horizon, ready to strike.
- The holiday shopping season and all that madness is not far behind.
The ride from Canton to Lee was almost surreal in a sense. The other 7 people in the van with me hardly seemed as if they were there; just a collection of more shadows in the dark. We took a route which took us through the Adirondacks, but since it got dark by 5:30 there was nothing to see. My body felt tired like it was 11:30 PM, and when I looked out the window into the gloom outside, it looked like it was 11:30, but my watch said 6:30 PM. I tuned into my XM satellite radio (this thing is a little marvel, by the way, and makes van rides so much more pleasant) and listened to a program of "new music" called "Hearts of Space," which played a collection of music especially for Halloween called "The Gathering Gloom." That music and the show brought everything about this time of the year together, and I sat there quite zoned out in the back of the van, just letting the music soothe me. I think after listening and breathing through that music I must learn to make better acquaintance with the shades and essences of the night. There is some poetic irony in all this, because having been in theatre all my life - a business which is a night business and which takes place mostly in darkened spaces - you would think I'd be used to the dark. Perhaps all this "doing it with the lights on" business has begun to subliminally change my perspective.
We got to Lee MA last night about 11:00 or so and spent the night in a somewhat low-brow motel. This morning I got up to a beautiful morning, and walked down the road to Lee for my exercise. I crossed the Housatonic River and got some good coffee and a bagel with low-fat veggie cream cheese, and walked back to the motel. Then we packed up again for the short ride to Framingham MA, and the Best Western is a decided upgrade. We had the rest of the day off.
Now it just so happens that my oldest daughter Jenna lives in the next town over, Natick (hence the dateline), and so right now I'm in her apartment writing this post. She came to get me shortly after I got in, and we spent the rest of the afternoon (temperature 70 degrees) walking through downtown Natick (which is very nice), going to dinner at an Indian restaurant, and chatting over tea in her apartment. She and her boyfriend Gabe are coming to the show tomorrow night, so I'm looking forward to that. She also took me shopping, and I bought a lot of stuff: a pair of gloves (lost mine in Canton), a new hat (mine got stolen in Canton), a micro-light for my keychain, a smaller Nalgene bottle, and a new pair of Ecco all-purpose shoes, which was a big splurge, but I could not resist as my current pair were beginning to wear out and I was feeling pain in the ball of my right foot as I walked. These are cross-trainer style with a Gore-Tex exterior, so they should last awhile and be far more comfortable. If you've never worn Ecco shoes, google them on the web and check them out - they are great! Most comfortable shoes I've ever owned.
The week in Canton, after a rocky start, ended up OK. My host family, Bruce and Karen Weimer, were great people. Bruce is a St. Lawrence English professor specializing in 18th and 19th century American Literature, with a special emphasis on Poe. Karen teaches at Potsdam and has spent the past 21 years studying the Amish in New York State. We had a nice conversation about the Amish the morning I left. Perhaps most disappointing were the size of the crowds. The vets in the troupe seemed surprised at the small turnouts (although the second Much Ado was SRO), especially at the midnight show. Most of our troubles could be directly attributed to our contact, who really turned out to be IMHO a flake. From talking with Karen I came to find out that the usual contact, a man named Tom, was not available this year, so Lyle got the job. Even the house stay people were put off, as many of them heard very little until the Sunday we showed up. But once we got better settled and the weather improved the rest of the stay was good. It is nice to be able to stay in a venue for a few days, and we stayed in Canton a week. We've been in Vermont, New Hampshire and upstate New York since I got back, with very few signs of "mall America" in evidence in any of those locales, so when we got to Framingham this afternoon it was something of a culture shock all of a sudden to be dumped into the heart of "mall America." And our next few days are hectic, making up for the four days in New London and the week in Canton. From Framingham to Cape Cod to West Hartford CT to Augusta ME by the time the week is out. Whew!
Perhaps that's a sign to cash it in for tonight and get some sleep in preparation for tomorrow. And commune with the midnight spirits. -TWL
Thursday, October 27, 2005
New Stuff 10/27/05

Wednesday, October 26, 2005
Highs and Lows - 10/26/05

First off, the weather. Beginning with the drive out of New London, the weather has been pretty miserable. Yesterday, which was our day off, was nothing but temperatures in the upper 30s and rain, rain, rain. Cold and rain. I hate that. But I have bought myself a lightweight polar fleece to wear under my windbreaker, and that has helped a great deal to stave off the rain. There was little to do yesterday but seek shelter from the storm, which I did in the St. Lawrence library. The student center is also a very nice building, but can of course become noisy. I also spent yesterday moving from my original location 2 miles outside of town (where I was sleeping on a couch) to a home in Canton, where Alyssa also has a bedroom. So now I have a bed and bedroom within a nice house, a much better situation. The housing and scheduling situation her has caused much stress, but it appears things are settling down now. Chris and Greg originally had housing that had Chris on a couch and Greg on the floor, but they also have been moved to a better location. Our contact person here just wasn't on the ball, but after many calls to Staunton we appear to have everything under control. There is still no actual schedule but we do know when all the shows are to be performed, and Dan and Olivia are doing a great job keeping our workshops on time and functioning. We did Much Ado on Monday night, which went very well (except our discovery space curtain got sopping wet in the U-Haul and was unusable). Tonight is Planet followed by Richard III on Thursday. We have not done R3 since i've returned, so it will be my first go at that show. The troupe hasn't done R3 since Maryland, I think, and before all the wackiness there was talk of scheduling rehearsal for a few scenes, but I've no idea if that will still happen - maybe tomorrow afternoon. With all that Carie has had to deal with these past few days, I think rehearsals have been the furthest thing from her mind, even though she'd want them to be foremost. So the week is full of performances up to Sunday's matinee, and then to Massachusetts, where I will get a chance to meet up with my daughter in Framingham.
I haven't said much about the time in New Hampshire, because I've sort of lacked the opportunity to write and post, but I must say it was a splendid five days up there. Our host, Andy, was a very nice man who owns 118 acres in the New London area, and lives in something of a recreation of a castle. He has bear and moose on his property as well (we never got to see his place). He escorted us to every venue, and apparently he is one of a few people trying to build up the New England Shakespeare Ensemble. We were part of their marketing effort, and attempt to showcase high-quality Shakespeare to the area and get them excited about having WS in their region.
The time off was great as well, because the weather while in New London was perfect. Kevin and I took a hike to Lake Pleasant on Thursday last, about 2 miles from the New London Inn, and then Jessica and I unexpectedly climbed Mt. Sunapee on Friday, a hike of a little less than five miles with an ascent of about 1400 feet. We were hoping to find more of a ridge trail for even hiking but found only the one trail up to the top. I am in the process of trying to get the

So now I'm in Canton, and at the moment all is well except for the weather. St. Lawrence in a nice campus, and the ASC has a following here, having played here for at least 10 years I think it's really nice to be able to watch as the veterans of the troupe greet people they have seen over the past three years as if they were old friends. Alyssa stayed with the family we're with last year, and when we arrived late Sunday night it was as if she never left, just walking to the back door of the house and letting herself in. I got to talk with a guy who runs a nursery, and he came dressed in his work clothes, long grey beard flowing, and his clippers attached to his belt in a leather case. He gave us a mini-lecture on the plants that appear in Shakespeare's plays, with particular attention to a European fruit whose name at the moment escapes me. A lot of "North Country" types coming to these shows, with one older couple - early 70s - who have been coming for 10 years. As I say, kind of nice.
As for myself personally, I did receive a clean bill of health from my doctor last Sunday. All my test results came back normal with one small exception, and even that was only minimally high. All that's left now is to get the MRCP, which is essentially an MRI of the liver and pancreatic area. This will take the place of the ERCP (thankfully). So when I finish this leg of the tour, I am immediately getting into the car and heading up to NY. It will be Thanksgiving dinner at home, which I will definitely enjoy. Then back to Staunton to do Christmas Carol.
Seems as if this catches everyone up for the moment. Oh yeah, the World Series! I stayed up last night to watch almost all of Game 3. After the Sox scored their final runs in the 14th I went to bed, risking that Houston would not score 2 or 3 runs in the bottom half. They threatened, but no runs scored. That got me up late this morning (10:00 AM), too late to join the gym crowd. Ah well, I'll get back on that treadmill soon. The walk from the house to the campus is a good stretch, and all the walking around during the day should make up for it. No booze and the low-fat diet still in order, although last night I blew that because the dining hall had a baseball special night. Hot dogs of all sorts (New York deli, brats, Michican foot-longs, Chicago whites) and all the fixings and trimmings; onions, relish, Cleveland brown mustard, sauerkraut, red onions, chili topping, beer nuts, crackerjacks. I could not resist. Still alive today, having eaten a baked chicken breast, brown rice, cold beans and a banana for lunch (no breakfast). I mean, ya gotta live!
So before I sign off, here's the new game spreading around the troupe (try this at home): Wanted (name); settled for (name); got (name). Here's an example: Wanted Wilford Brimley; settled for Christopher Lloyd; got Tom Loughlin. Everyone in the troupe has had their shot, and we all get a big laugh out of this game. Another example: wanted Julia-Louise Dreyfuss; settled for Janeanne Garofolo; got Alyssa Wilmot. Wanted Tom Hanks; settled for Leonardo DiCaprio; got Greg Phelps. You can all play: use the comment section below to send us your examples! Go wild!
-TWL
Monday, October 24, 2005
The Sum of All - 10/24/05

- Performed Much Ado About Nothing four times in three locations: Lebanon (NH) Opera House, the Concord (NH) City Auditorium, and twice at the Newport (NH) Opera House. All three venues very much like the 1891 Fredonia Opera House. Resided at the New London (NH) Inn, a very nice hotel in a rather remote area of the state. Although they have wireless internet, their service went down sometime Friday, leaving us all unconnected (unless we went down to Jack's, a local cafe).
- During my time off I essentially took a walk down to Pleasant Lake with Kevin on Thursday and hiked to the top of Mt. Sunapee on Friday with Jessica. Maybe that was a bit too much physical activity, because I was pretty tired by the end of Saturday night. Also refreshed my memory on how to play euchre with Tyler, Andrew and Sarah Friday night after the show.
- The cargo van broke down on the way to the Newport venue Saturday morning. At one point we had to push it down the street, and we esssentially coasted into Newport and the venue. My GPS came in handy as with it, we found an auto repair shop in Concord and had the van towed to that location. Carie had to accompany the tow truck driver and returned for the evening performance.
- We rented a U-Haul truck for the drive Sunday 10/23 to Canton. Apparently making all the necessary arrangements in Canton has been extraordinary difficult. Greg and I drove Carie back down to Concord, where she stayed in a
motel overnight in order to pick up the van today and re-join us in Canton. Greg and I drove back to New London to re-join the troupe and we all took off for Canton, arriving about 6:15 PM to the contact's house (which is actually in Potsdam). The drive went through some lousy weather, including snow in the higher elevations of the mountains of Vermont.
- We had a very nice dinner at Lyle Little's house (our host), and then we took off to drive each troupe member to their respective guest house. In Canton we are being housed by families or other interested parties, so we are scattered across the city. Most of us are in walking distance. I ended up in a one-bedroom efficiency apartment hosted by an adjunct member of the English department, sleeping on a couch, about 2 miles outside of Canton. The GPS again came in handy as we had to find each host house one-by-one at night.
- We are in residence at St. Lawrence University for the rest of the week, performing each show twice, with one midnight production of Planet on Friday, I believe.
One thing I really have to do more is, when I get a good idea for something to write here, to make a note of it on my memo pad. Sometimes I find I come to the keyboard, and my head is so crammed with things that have been going on that I can't even start to type. I would bet that if I took the time to note the good ideas and referred to them while writing I might get more accomplished.
I do know I'm going to be spending a lot of time on the St. Lawrence campus. They have a pretty good student center and library, and although the library is not wireless, you can easily plug in and go. They also have a great gym, so this week I think it's back to the treadmill. The weather is lousy - cold, rainy, low 40s - my absolutely least favorite weather conditions. I finally now believe summer is over.
More tomorrow, with some finer details. -TWL

Sunday, October 23, 2005
Friday, October 21, 2005
Wednesday, October 19, 2005
Up and Running - 10/19/05

Getting back on stage after the two+ week layoff was simultaneously easy and hard. The first night was Much Ado, and the timing for the call was very tight. The space itself was a recital hall, which was a bit cramped and had no way for us to use the discovery space as an upstage exit. So we had to re-map all the exits and entrances and do the dance calls and fight calls and music call. I had asked to run over a few scenes but by the time all the calls were done there was no time left before house opened, so I had to go on cold, having only looked at the script beforehand. Not a problem - all the lines and movements came back quite easily, and I fell right into the flow of the play. I think what was most interesting to observe were the reactions of the rest of the company, and how they once again had to re-adjust to my presence on the stage. So many of them backstage during the run just said how nice it was to have me back on the stage with them. The feeling, of course, was mutual; it was great to be back performing. The show went very well, the gulling scene got many big laughs (Tyler had some wild moments ouot in the audience), and the wedding scene and following scenes created a hush in the crowd that caused only few people to laugh at some of the following humorous scenes. It took them awhile to restore their sense of fun, which I think they got back while Benedick tried to write his sonnet.

I really wanted to make this St. Michael's gig because the daughter of a very old and good friend, Red Shuttleworth (poet, playwright and cowboy, a genuine voice

The scenery down I-89 this morning is fabulous. That's another reason for wanting to get back on the road at this time - the fall colors. The weather has been positively awful - wet, soggy, raining, and I hear it's been like this for two weeks now. There are very few reds out in the foliage, and some of the trees are still sporting green, but nonetheless the colors are spectacular. I tried to take some movies and stills of the colors while on the road. You can view them on my video page if you'd like. The quality is as it is because of the moving van and shooting through a window. But it is one simply gorgeous drive, crossing the Winooski River and the White River and passing through the mountain ranges. Yellows and golds dominate this year, and the ponds and rivers a full, clear and fresh-flowing. Can't be beat. I do regret having missed Bar Harbor ME, because I love Acadia National Park, but this is, at the moment, making up for it. I keep putting my camera away, writing something here, seeing a beautiful sight, and grabbing my camera to get the next great photo. You can, of course, click on My Yahoo! Photos Page over on the sidebar to see some of these pictures. I have a lot to post, so check back over the next few days to see the many photos coming up, starting from Ohio and working their way to today.


The one small bump in the road at the moment is the number of people who seem to be coming down with colds. Carie is very under the weather, Olivia has a bug, Kevin has some sort of issue with his neck, a bruise or node or something, and Alyssa says she feels she's coming down with something. Colds seem to be making the rounds. Time to take preventative measures. I'll have to look into some sort of health food place around here for some Wellness tablets to keep away the cold demons.
So much for this post. Spur hard for the Bard! -TWL
Monday, October 17, 2005
Back in the Saddle Again - 10/16/05

Got to admit I'm a bit nervous about tonight. There will be some pick-up rehearsals this afternoon as I asked for a few scenes to go through in Much Ado, but other than that I think I should be fine. Do some music rehearsal tomorrow and clean off all the rust that's been building up.
The drive up to Burlington was superb, but a bit windy and some rain. The trees were changing color, but this year there seems to be an apparent lack of red in the trees. Some of the hillsides along the Mohawk River valley and into the Lake George area still were green, in fact. Seems late for them not to have turned. The road along Lake George - 9N - is incredibly scenic, and was a treat to drive. I had to force myself to keep going rather than stop along the way at every scenic view. I was desperately wishing for a good camera. I tried to take some pictures while home but the lousy camera I had there took rotten shots.
New England has been under a deluge apparently during the past week - rain everywhere, with roads flooding out and such. Some of the drives were apparently a but treacherous according to Kevin, but then again he's a tiny bit paranoid. He told me last night about two accidents he was in while touring with his band way back when, so he has some reason. He got into both those accidents in one day in bad weather.
I've already been out this morning to look up the daughter of a good friend of mine from my Nebraska days. Red Shuttleworth's daughter Jesse goes to school here and I hope to get a chance to meet her. I went to her first class but she did not show up on time. I will try to look her up later.
Before I left on Sunday I attended Bess Brown's funeral in Buffalo on Saturday morning. It was both a sad and beautiful affair. The general tone was low-keyed and dignified, and the priest who gave the homily was very good - best sermon I've heard in years. He had known Bess for many years starting when she grew up on Buffalo's south side. There was applause at the end, a fitting tribute. The Diva by Diva ensemble, which Bess had worked with many times, did the music. About the saddest and yet most wonderful part of the whole event was to see Ariel, and to see in her the spitting image of Bess. Very haunting and moving. Bess' beauty and vivacity will be sorely missed by all. -TWL
Thursday, October 13, 2005
Potpourri - 10/13/05
Dunkirk, NY - A collection of random news and thoughts in no particular order.
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I learned of the passing yesterday of another Buffalo theatre colleague and friend, Bess Brown Kregal. Bess played Mistress Quickly for me in 1999 in Shakespeare in Delaware Park's production of Henry IV Part 2, and I also was Boyet to her Princess of France in Love's Labour's Lost way back in 1994 (pictured to the right). She appeared in many Buffalo theatres and was always a delight to watch on stage. She brought to her roles not only beauty, but sincerity and deep emotions. She was a kind, gentle and wonderful person with not a harsh word for anyone. She leaves behind her husband Jesse, who is a member of the Buffalo Philharmonic, and her young daughter Ariel. Her passing saddens me deeply and is a tragic loss to the Buffalo theatre community. She will be greatly missed.
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Earlier this month August Wilson passed away as well. I loved his work. His style, to me, was in the grand tradition of a theatre now gone, a theatre where the trials and tribulations of the ordinary people in life - the poor, the downtrodden, the struggling - found their voice on the American stage. From Odetts to Williams to Miller to Wilson, these playwrights found universal truths in the lives of working folks. Their style was lyrical and poetical, and Wilson was one of the best. No one in the past 30 years in American theatre sought to do the type of work he did, with his 10-play sweep of the African-American experience in 20th century America. He thought on a grand, epic scale, and wrote accordingly. And you have to admire a man who faced his death with such reality. No special treatment, no "I'll beat this liver cancer" phoniness; just a calm and assured acceptance that he had accomplished what he set out to do and would let life take its natural course. His passing truly marks an end to an era, for no one will write like that again in my lifetime and see their works produced on the Broadway stage.
When Fences was running on Broadway I managed to get a ticket, and I was so looking forward to seeing that production, which originally starred James Earl Jones in the title role of Troy Maxon. However, when I got to see the show, three days earlier they had replaced JEJ with Billy Dee "F$%&ing" Williams, who sucked so hard he practically created a vacuum on the stage. He was fed his lines on stage more than once by his fellow actors, and clearly was not ready to go on. One of the major diappointments in my playgoing experience.
Fortunately I did get to see a fine production of Joe Turner's Come and Gone at Studio Arena in Buffalo, featuring Stephen Henderson, who teaches at UB and has performed in many of Wilson's plays, among them Jitney on Broadway in 2000. A most powerful experience to be sure.
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This morning comes news that Harold Pinter has won this year's Nobel Prize for Literature. Congratulation to him. Well-deserved. He's turning more to poetry these days, and according to the Time article he's quite an outspoken critic of Tony Blair and the Iraq war. Maybe they should add the Peace Prize to the Literature prize as well.
Trivia - only one American playwright has ever won the Nobel Prize for literature. Name that person.
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Recuperating is a drag, but I hope it's almost over. I go to the gastro guy tomorrow for a check-up and to decide when the ERCP will happen. I've rented a car for Sunday and hope to be driving to Burlington VT to join Atomic Fission that evening and get back to touring. Yay!
I've also received three get-well cards; two from AF and one from the Resident troupe back in Staunton. They were very welcome and very funny.
With all my idle time I've finally managed to post some more videos I shot while on tour, and I think I have a few more to go. I've sort of given up on the idea of vodcasts, and for now am just resorting to putting up some raw footage. You can take a look at them here, but please be sure to have intalled Quicktime for either Mac or PC. It will just make it easier on you and your computer.
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The Yankees suck. Mel Stottlemyre is already gone, and I suspect many others will leave as well before the month is out. Torre is a mystery, but in my gut I think he's had it. This season may finally have convinced him that he's not going to win the WS with this group of guys, and he might just be ready to pass it on to the next iteration of the Yankees. Cashman will surely go, as will Girardi. I'd be surprised to see Bernie return, but not surprised to see him sign with some other team. My prediction/ideal scenario: Cashman becomes GM of the Tampa Bay Devil Rays, signs Joe Girardi as manager, and signs Bernie to a two-year contract to DH and help out with the young guys. D-Rays win the AL East in two years. You heard it here first.
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When I first considered blogging, I recalled a small scene from The Time of Your Life by William Saroyan written in 1939. It's a play about a collection of individuals - ordinary working people - who inhabit a small dive along the San Francisco waterfront. The scene takes place between Krupp, a beat cop, and his friend McCarthy, an intellectual working as a longshoreman. McCarthy has a monologue about writers which goes like this:
A final quote from Saroyan, who wrote in the foreshadow of WW2:
Let's get cracking. -TWL
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When Fences was running on Broadway I managed to get a ticket, and I was so looking forward to seeing that production, which originally starred James Earl Jones in the title role of Troy Maxon. However, when I got to see the show, three days earlier they had replaced JEJ with Billy Dee "F$%&ing" Williams, who sucked so hard he practically created a vacuum on the stage. He was fed his lines on stage more than once by his fellow actors, and clearly was not ready to go on. One of the major diappointments in my playgoing experience.
Fortunately I did get to see a fine production of Joe Turner's Come and Gone at Studio Arena in Buffalo, featuring Stephen Henderson, who teaches at UB and has performed in many of Wilson's plays, among them Jitney on Broadway in 2000. A most powerful experience to be sure.
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Trivia - only one American playwright has ever won the Nobel Prize for literature. Name that person.
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Recuperating is a drag, but I hope it's almost over. I go to the gastro guy tomorrow for a check-up and to decide when the ERCP will happen. I've rented a car for Sunday and hope to be driving to Burlington VT to join Atomic Fission that evening and get back to touring. Yay!
I've also received three get-well cards; two from AF and one from the Resident troupe back in Staunton. They were very welcome and very funny.
With all my idle time I've finally managed to post some more videos I shot while on tour, and I think I have a few more to go. I've sort of given up on the idea of vodcasts, and for now am just resorting to putting up some raw footage. You can take a look at them here, but please be sure to have intalled Quicktime for either Mac or PC. It will just make it easier on you and your computer.
**************************************************************
The Yankees suck. Mel Stottlemyre is already gone, and I suspect many others will leave as well before the month is out. Torre is a mystery, but in my gut I think he's had it. This season may finally have convinced him that he's not going to win the WS with this group of guys, and he might just be ready to pass it on to the next iteration of the Yankees. Cashman will surely go, as will Girardi. I'd be surprised to see Bernie return, but not surprised to see him sign with some other team. My prediction/ideal scenario: Cashman becomes GM of the Tampa Bay Devil Rays, signs Joe Girardi as manager, and signs Bernie to a two-year contract to DH and help out with the young guys. D-Rays win the AL East in two years. You heard it here first.
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They all wanted to be writers. Every maniac in the world that ever brought about the murder of people through war started out in an attic or basement writing poetry. It stank. So they got even by becoming important heels. And it's still going on. Right now on Telegraph Hill is some punk who is trying to be Shakespeare. Ten years from now he'll be a Senator. Or a communist.And here we are in the early part of the 21st century, with hundreds of blogs. Thousands of them. I thought I saw a headline somewhere that claimed a new blog was created every second of the day. Saroyan's prediction and McCarthy's hope has finally come true.
The thing to do is to have more magazines. Hundreds of them. Thousands. Print everything they write, so they'll believe they're immortal. That will keep them from going haywire.
A final quote from Saroyan, who wrote in the foreshadow of WW2:
In a time of war, if art abandons its labor, war wins its victory, and cheap history tells the fable of the world. If it is impossible for art to reach the soldier who is on the verge of killing or being killed, it can get ready for the soldier's son. If art cannot improve the tone and meaning of the statesman's radio speech, it can anticipate his burial and be ready for his successor. If the world is amuck and there is no one for art to talk to, it can prepare itself for the next generation. War is tentative. Aberration is tentative. Art is not tentative.
It is true that as long as there are poets in the world, war can kill nothing.
The world now provides art new and more difficult material. Art has no alternative but to accept this material and to remove from it all foolishness, all feebleness, and all foolish and feeble fantasy.
Let's get cracking. -TWL
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